The Sunset Strip riots, Fonda had spent the early ’60s passionately expanding a Say all the incautious interlocutor needed to know about those particular ?” His reference to John Ford’s 1948 cavalryĬlassic, in which the elder Fonda plays an insufferable martinet, was meant to When asked to recall his young life with his father, Fonda would sometimes simplyĬurl his smile and inquire, “Well, you’ve seen Fort Apache. Or was it all the way in? His mother had slit her own throat tenĭays after her forty-second birthday, when Fonda was just ten. In 1969, Fonda and his filmmaking partner Dennis Hopper set off a riot all their own with Easy Rider, a film about the colors and the chaos and the head-trips of a new generation, a film that would seismically shift the commercial bedrock on which Hollywood was built.įonda knew all about Hollywood chaos: born the year his father starred in The Grapes of Wrath, he had grown up inĪ house haunted by both celebrity and suicide, and by ’66 he was dropping all He’d be back within a year to turn those visions into the penultimate spasms of Roger Corman’s pro-LSD 1967 masterpiece The Trip, and there was more shaking yet to come. It’s easy enough to picture Fonda-son of Henry, brother of Jane-in the midst of that madness, detained by the Fuzz, smiling his blinding, perfect-toothed smile at all of it. Jack Nicholson and Sonny and Cher were there Frank Zappa and Buffalo Springfield wrote songs about it. As ’60s riots went, it was all pretty tame. The Man, by definition unhip to those energies and desires, moved in. ![]() All the kids wanted was to stay up late, and to rock and roll without getting hassled by the Man. curfew recently implemented by local businesses and other community-group squares. In 1966, Fonda-actor, director, celebrity biker, heartfelt activist, hilarious stoner, and consummate movie star-was handcuffed in a riot of colors on the Sunset Strip. It was all a crazy trip: hippies and tourists clogging intersections, demanding their freedom to go-go-go past an idiotic 10 p.m.
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